Article of World Sculpture News, vol 25, No. 2, 2019

Cover artist, sculptor, Samues Leung The Tradition and The Wabi Sabi In Sculpture Sculpture in all its forms, whether traditional figurative or materially experimental, whether naturalistic or romantic, offer up many challenges for the artist as well as the viewers. Samues Leung’s vision as a sculptor embraces both public sculpture and a sparking private wabi-sari narrative. His art touches the spirit which makes it stand … Continue reading Article of World Sculpture News, vol 25, No. 2, 2019

MOUNTAIN IN MOUNTAIN, Monumental Sculpture on water feature, 10 meter diameter, mixed media, 2018 by Samues Leung

山到底是空間還是物件?山是一種要透過距離去感受的存在。這雕塑由金屬,石材和枯木元素構建,裝置在水中,五恆中的火,是來自鏡鋼表面反映出的太陽,或是池水中的燈光。整個雕塑從不同的角度反映出山內有山,山也倒映在水面,為山與山,山與水之間提供了另一空間。而部分利用鏡鋼鑄造的山,更反映出可以看見,但觸及不到的空間。而走近觀看得到的你,也進入這捉摸不到的空間,如在山中尋覓身形,同時是裡面跟外面的呼吸。我不再是我自己。我變成眼前的事物,成為山的一部份。 這個混合媒體雕塑《山中的山》(2018)中。這是一件特別優雅的作品,具有令人愉悅的自然感和自發性。 隨著白天從黎明到黃昏再到黑夜,光線從水中的自然光變成燈火,光滑的雕刻形狀向天空推進,被揭示為中國古典風景中的山脈。  Is “mountain” a space or an object? Mountain is a kind of existence to feel through distance. The sculpture is made of metal, stone and dead wood elements. It is installed in the water. The fire owed to Wuhengzhong comes from the sun reflected on the mirror steel surface or the light in the pool water. The whole sculpture reflects mountains from … Continue reading MOUNTAIN IN MOUNTAIN, Monumental Sculpture on water feature, 10 meter diameter, mixed media, 2018 by Samues Leung